How well do you know your shot types?
In the world of filmmaking, every shot tells a story. Whether you’re a budding media student or simply passionate about the magic of movies, understanding your basic filmmaking shot types can help with how you tell, or how you interpret, the story.
Here, you’ll find a simple guide to all the basic shot types filmmakers use to tell their stories.

The Wide Shot (WS)
First up in our list of shot types, we have the wide shot, which – depending on how it is used – can also be known as the establishing shot.
One of the most fundamental shot types, the wide shot captures everything that is relevent to the scene. It’s a wide view of where the action is happening, featuring all the relevant characters, backgrounds and scenery. It provides context and communicates the who, what, where and when of the action.
The wide shot invites viewers to step into the world of the film and familiarise themselves with the environment and the setting.

In a Wide Shot, the environment can be seen to provide context on the setting
The Medium Shot (MS)
Next, we have the medium shot, which focuses on the characters or subjects within the scene. It’s like a window into their world, allowing us to connect with them on a more personal level.
The medium shot is one of the shot types that can bring us closer to the action, whilst still maintaining a sense of perspective. It’s also good for allowing actors some room for movement and the space to use their upper body as a performance tool.
The Medium Shot can also be called a Mid Shot, depending on the set.

A Medium Shot focuses on a subject/character, allowing space for their body language/action to be seen
The Close-Up (CU)
Now, let’s get personal with the characters by using the close-up shot.
This shot focuses on a specific detail, such as a character’s expression, where it can portray emotions, reactions and dialogue clearly. It can also feature an object of significance, or a crucial moment in the story.
As one of the most popular shot types, close-ups are powerful tools for conveying emotion and drawing viewers into the heart of the narrative. From tears streaming down a face to the flicker of a candle flame, every detail matters when using close-ups.

A Close Up shows the head and shoulders of the subject/character
The Over-the-Shoulder Shot (OTS)
This shot places the camera behind one character, looking over their shoulder at another character or object.
This is one of the more dynamic shot types. It can create a sense of intimacy and camaraderie, as if we’re right there with them, sharing in their experiences and adventures. It can be used to show conversations and to give an audience a sense of the different perspectives, or the relationship between two characters.

The Extreme Close-Up (XCU/ECU)
This shot magnifies a tiny detail, often focusing on a character’s eyes, lips, or even a specific object. It’s all about capturing extreme detail, leaving no room for distraction.
From the subtle twitch of a muscle to the glisten of a tear, the extreme close-up shot can add depth and intensity to the storytelling, immersing viewers in the raw emotion of the scene. It’s also one of the more stylistic of the shot types, it can also be used to add a particular visual style, for instance if recreating a Western or a Romance film.

The Point-of-View Shot (POV)
You can also use the point-of-view shot, which literally puts us in the shoes of the character. With this shot, we see the world through their eyes, experiencing everything they see and feel. It’s like stepping into their skin and seeing the world from their unique perspective.

The Panning Shot
This dynamic shot type involves moving the camera horizontally from left to right or vice versa, capturing the action as it unfolds. Whether it’s following a character’s movement or showcasing the vastness of a landscape, the panning shot adds fluidity and momentum to the storytelling.
It’s like taking a panoramic tour of the scene, revealing new details and perspectives with every sweep of the camera. With the panning shot, you can guide viewers’ attention and immerse them in the action, creating a sense of movement and energy that keeps them on the edge of their seats.

The Tracking Shot
This shot involves moving the camera alongside the action, keeping pace with the characters or objects as they move through the environment. Whether it’s a leisurely stroll through a bustling city street or a high-octane chase sequence, the tracking shot adds a sense of drama or action to the storytelling.

In a tracking shot, the camera moves in relation to the subject of the shot, often following the same movement of the subject. This can be shot on a dolly or on tracks.
The Tilt Shot
This shot involves moving the camera vertically, either up or down, to reveal new details within the scene.
Whether it’s capturing the towering height of a skyscraper or the vastness of a starry night sky, the tilt shot adds a sense of depth and dimension to the storytelling. It’s like looking up at the world from a new vantage point, discovering hidden details and nuances that enrich the viewer’s experience.
With the tilt shot, you can add visual interest, complexity and suspense to your compositions.


The basic shot types in filmmaking are like the building blocks of cinema, each serving a unique purpose in telling captivating stories. So, the next time you watch your favourite movie, pay close attention to the shots that bring it to life!
